After Hours · One Light On

NoirAt the Ambassador

Henry Clive · five plates from the nightclub after closing, 2 a.m. to dawn

The band has gone home. The smoke has settled. Five Clive tributes to the same building after closing, when the satin hangs quiet and one bulb stays lit for nobody.

Woman in evening gown and fur stole alone at the bar at 2 a.m.
№ 20Last Call2 A.M.

Glasses upside down, one lamp burning — she stayed for the quiet, and the quiet stayed for her.

Chanteuse on the edge of a dark stage above the orchestra pit
№ 21The Ghost Light3 A.M.

Slip and pearls, legs over the pit — the ghost light burns for the theater, but tonight it keeps her company.

Hat-check girl counting brass tokens alone at the cloakroom counter
№ 22The Token Count2 A.M.

Brass tokens and one desk lamp — forty-four are out, three are missing, and one of those is hers.

Woman in rain-dark trench coat in the empty coat check doorway
№ 23The Doorway4 A.M.

Cigarette unlit, exit sign red — she is deciding whether the night owes her an apology or a fare.

Cigarette girl wheeling her tray through the empty lobby at dawn
№ 24Dawn in the Lobby5 A.M.

Velvet ropes down, chandeliers dark — one bar of pink dawn on the marble, and the tray still sells nothing to no one.

Telephone operator alone at the switchboard at 3 a.m.
№ 25The Night Board3 A.M.

One cord plugged, rows of dark jacks — whoever is calling at three a.m. is calling collect on an apology.

Showgirl on the rain-slicked sidewalk under a dark marquee at 4 a.m.
№ 26The Last Bulb4 A.M.

One letter of the marquee still lit, steam on the grate — the last bulb always spells someone's name.