Upper Floors · By Invitation

TheExpansion

Henry Clive · twelve plates from the supper clubs, suites and stage doors upstairs

Twelve more Clive tributes: the dressing rooms, the supper club, the coat check and the switchboard — the floors the main room pretends it doesn't have.

Woman in silk robe at a mirrored dressing-room vanity
№ 8The Dressing RoomBoulevard Floor

Bulbs around the mirror, powder puff in hand — the costume sketches on the wall are all dresses she has already outgrown.

Woman in emerald gown at a corner supper-club table
№ 9The Supper ClubBoulevard Floor

Emerald bias-cut at a table for two — the second chair is a coat rack tonight, and the candle doesn't mind.

Coat-check girl with a brass numbered token
№ 10The Coat CheckTerrace Level

Brass token № 44 out, palm up — behind her hangs every fur in the building, and none of them are hers.

Showgirl at a rainy stage door with a folded newspaper
№ 11The Stage DoorTerrace Level

Newspaper over the curls, marquee glow on the wet alley — ten minutes to places, and the rain is not invited.

Patron in a velvet balcony box above a golden theater
№ 12The Balcony BoxDress Circle

Champagne above the footlights — the show below is fine, but the program she's holding has her name penciled in it.

Dancer practicing taps alone on a darkened dance floor
№ 13After Hours PracticeDress Circle

One spotlight, chairs stacked, sequins catching — nobody counts the steps she takes at midnight.

Hat-check counter girl reaching for a velvet opera hat
№ 14The Hat CounterBoulevard Floor

A wall of round boxes and one velvet hat — she already knows which box it came from, and what it cost to leave it.

Woman in velvet opera coat ascending a hotel ballroom stair
№ 15The Midnight StairBallroom

Gold banister, potted palms, a quartet below — she climbs the stairs the way the hour climbs toward midnight.

Woman in silk tea gown taking morning coffee in a hotel suite
№ 16The Morning AfterSuites

Coffee and the gossip column in a ninth-floor suite — last night's name is spelled right, for once.

Telephone operator at a brass-and-walnut switchboard
№ 17The SwitchboardMezzanine

Cord in, headset on — every secret in the hotel passes twice through her hands and never once through her mouth.

Chanteuse applying lipstick at a backstage dressing table after the show
№ 18The CorsageMezzanine

Lipstick, wilted corsage, scattered sheet music — the mirror gets the best hour of her night, and it never tells.

Woman in fur-trimmed coat and cloche waiting at a glowing bus depot counter
№ 19The Last BusStreet

One suitcase, neon in the window, the clock above — the ticket is one-way, and she has not decided yet.

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